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On the Artistic Characteristics of Fine Arts in TV Movies and Cartoons

编辑: 毕业论文 Release time: 2016-08-31Editor : Graduation Thesis

[Abstract] In the development of today's animation, some foreign animations have been well received by the audience. China's television and movie animation works draw on the excellent foreign animations to give play to their national cultural advantages and actively promote the aesthetic characteristics of our animation. In this context, this article analyzes the aesthetic characteristics contained in animation works, and puts forward the insights to enhance the artistic characteristics of television film animation. From creation to molding, it requires continuous efforts in all aspects.

[Keywords] TV movies; cartoons; fine arts

The definition of animation in the "Film Art Dictionary" is explained as follows: the animation space and character modeling are used to shoot static characters one by one through the form of painting and the method of shooting frame by frame. TV movie animation presents not only the beauty of instantaneity, but also the exaggerated reproduction of objective things that can transcend time and space, entrusting people's yearning for a colorful life. With the increase of people's spiritual and cultural needs, the requirements for TV movie animations have also increased. It is required that TV movie animation works can reflect the past and future, reflect life and imagination. At the same time, they also need to melt various cultural factors and give play to the creator's Creative thinking ability, endowed with aesthetic characteristics such as imagination and expressiveness of animation works, realizing the aesthetic characteristics of television film art, and integrating the factors of image beauty, meaning beauty and moral beauty into a good animation work to satisfy the aesthetics of multi-level audiences Claim.

I. Factors Affecting TV Movie Animation Art

(I) Impact of cultural factors on the art of television, film, animation and art

Drama has a long history in China, nearly a thousand years, and Facebook is a favorite in Chinese life. In many cases, Facebook is not only a decoration, but also a symbol of cultural symbols. The Chinese like to use Facebook To characterize the truth, goodness, badness, and evilness of characters, such as the "birth, denim, net, final, and ugly" we know in traditional dramas. According to their own dispositions, identities, and status, the shapes of Facebook are also different . The midnight chickens we know are Zhou Zhoupi, the magistrate in "Fisherman", the land guard in "Zhang Fei", and the snake dancer in "Nine-colored Deer." Because of their ugly roles, Therefore, Facebook also uses harlequins. On the contrary, Li Jing in Nazha Haohai, the Jade Emperor in Da Nao Tian Gong, the prince in the Book of Heaven and Tan, and the emperor in Nine-colored Deer, their status and image are all determined They have the image of "living" in drama. Another example is Zhang Fei in "Zhang Fei's Trial of Melons", "Protection Law in Da Nao Tian Gong", Tian Tian in General "Nao Nao Hai", and the general in "Proud General". Their fate has already been In the audience's expectations, people are familiar with their image, so most of them appear in the audience's sight in a "clean" shape.

(B) the influence of the creator's aesthetic consciousness on the art of television film animation

In China, our cartoons have unique art forms that are different from other styles in the world: landscape painting, paper cutting, wood carving, shadow puppets, embroidery, New Year's paintings, etc., but unfortunately, Chinese domestic cartoons are still called in the international market Do not move the seat. The reasons for our conclusion are: (1) the current animators are blindly copying art forms at home and abroad, just learning their fur, and inadequate self-cultivation, unable to control this art form; (2) the plot of the film is naive and lacks content Interesting, the story was not explained clearly, the lens sense and visual editing of the animation were ignored, and the animation was only left at a low level of the shooting picture; (3) because many creators of animation were from painting, this led to Many pictures are beautiful and vivid, but there is no connotation and the visual effects are poor.

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